Joseph Conrad was a bloody racist Essay Example for Free

Joseph Conrad was a bloody racist Essay This is the quote The conquest of the earth, which mostly means taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much This, I believe effectively tars conlonialism and conquest with the same brush as he is describing colonialism while saying conquest. I feel he is saying that the two are indestinguishable and that anybody who can define them is stuck on the idea he goes on to mention belief in the idea something you can set up, and bow down before I think he is saying that as long as people can hide behind the idea of colonialism and tell it apart from conquest they are happy but in essence the two are the same. Conrad might be saying that although we live in a civil age we are no different to the Roman conquerors. I believe this shows that Conrad is not racist as he is saying that taking away the earth from those who have a different complexion or slightly flatter noses than ourselves is wrong. This is a very anti-racist statement and Conrad would have been saying something way ahead of his time. Marlow is a mouthpiece for Conrad in the sense that they have experienced the same things to the extent where even the characters names are the same When in the Congo, Conrad took over a steam boat formerly captained by a man called Frieslieben (Fresleven in the book), and he had to go and retrieve a man called Kurtz (same name, also in the book). In another book when asked of the likenesses between him and Marlow he said. It is experience pushed a little (and only very little) beyond the actual case for the perfectly legitamate I think that any reader thinking that Marlow and Conrad are one and the same would be virtually correct. This means in my view that any likenesses and quotes that Marlow does or says can be directly linked to what Conrad believes in, therefore it is not a factor of how similar the two are as I see them as one entity. When Heart of darkness first come out in 1899 (serialised in Blackwoods magazine) it was in an age where the western world was scrambling to colonise many African countries, where England was fighting a second Boer war and were supreme in North Africa, and it was a time when Joseph Conrad was putting his reputation and respect as an author on the table. His contemporaries could easily have dismissed his book as modernistic drivel and slated him for his uncontemporary views. In this light we see that Conrads book was way ahead of its time, exploring racism and both physical and mental journeys into the congo and into ones self. I believe it could be said that Conrad was not racist even if there is an inkling of racist assertions in Heart of darkness because this racist view was accepted at the time, this can be said of his usage of the word nigger in his novel (one of his earlier novels even had the word nigger in its title the nigger and the narcissus 1897) but as this was regularly used at the time it can be wavered as it didnt have the effect it does in todays society when spoken. Apart from this I think it is clear that Joseph Conrad did not conform in a racist society and had seen the horror and pure incorrectness of colonialism first hand. I have shown that Conrad and Marlow are one and the same and have been led to the conclusion through close reading of the opening of heart of darkness that Conrad is not, as Chinua Achebe states, a bloody racist. In fact I believe the opposite statemen could be made Conrad was a minority voice speaking out against racism through his character Marlow in a time where racism was rife. I believe I am right because the evidence against Conrad is scarce and what little textual evidence there is can mostly be put down to ignorance which in my opinion can be let go, due to the fact that his overall message is an anti-racist one. I feel people who think that Joseph Conrad is racist based on Heart of darkness is wrong because of the reasons stated. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Joseph Conrad section.

Meaning of the River in Siddhartha Essay -- Hesse Siddhartha Essays

Meaning of the River in Siddhartha Siddhartha, in Herman Hesse's novel, Siddhartha, is a young, beautiful, and intelligent Brahmin, a member of the highest and most spiritual castes of the Hindu religion, and has studied the teachings and rituals of his religion with an insatiable thirst for knowledge. Inevitably, with his tremendous yearning for the truth and desire to discover the Atman within himself he leaves his birthplace to join the Samanas. With the Samanas he seeks to release himself from the cycle of life by extreme self-denial but leaves the Samanas after three years to go to Gotama Buddha. Siddhartha is impressed by the blissful man but decides to lead his own path. He sleeps in the ferryman's hut and crosses the river where he encounters Kamala, a beautiful courtesan, who teaches him how to love. He is disgusted with himself and leaves the materialistic life and he comes to the river again. He goes to Vasudeva, the ferryman he met the first time crossing the river. They become great friends an d both listen and learn from the river. He sees Kamala again but unfortunately, she dies and leaves little Siddhartha with the ferrymen. He now experience for the first time in his life true love. His son runs away and Siddhartha follows him but he realizes he cannot bring him back. He learns from the river that time does not exist, everything is united, and the way to peace is through love. Siddhartha undergoes an archetypal quest to achieve spiritual transcendence. During his journey, he both embraces and rejects asceticism and materialism only to ultimately achieve philosophical wisdom "by the river". When Siddhartha is ... ...n, and all of the enjoyments and lavishes. He becomes entrapped in Samsara, the physical world, characterized by repeated cycles of birth, but finally breaks out of it after twenty years and returns to the river. At the river he joins the simple life of Vasudeva, according to Carl Yung would be considered the wise old man archetype, and for the next twenty years he listens and learns from the river. The river is no longer the divider between the material and spiritual worlds but now it symbolizes a unity in which past, present, and future, all people and their experiences, all features of life flow together. Siddhartha comes to realize that there is no conflict between the spiritual and the material, that all human occurrences are to be accepted, and that the only difference between the ordinary people and the sages is that the sages understand this unity.

A Day with Nelson Mandela

After many days of anxious waiting, I finally managed to obtain permission to spend a day with one of the truly great men of all times. This person is none other than Nelson Mandela. Nelson Mandela was born on the 18th of July, 1918 in Transkei, South Africa. He actively took up the struggle to achieve equality for Africans. The South African Regime of those days introduced Apartheid, which segregated the whites, Africans and the Asians. Mandela was sentenced to five years hard labor in 1962. Subsequently, he was sentenced to life imprisonment (Nelson Mandela, 2007). People the world over, were disgusted with the racist regime led by P.W. Botha and a number of trade and economic sanctions were imposed on this despicable regime. Botha received his just desserts and was paralyzed due to a cerebral stroke. F.W. de Klerk took over the reins of power and released Mandela from prison on the 11th of February, 1990 (Nelson Mandela, 2007). After the exchange of trivial pleasantries, I asked Mandela to expatiate on his achievements and beliefs. He gave me some nuggets of information, which I am setting out in the sequel. Nelson Mandela represents one of the greatest examples of the triumph of the human spirit. He was incarcerated for twenty – seven years, under extremely barbaric conditions by the racist South African Regime. He remained strong, he never lost hope, he was always brave and he never compromised his moral integrity. He was verily the lodestone for the suffering and oppressed humanity of the world. After this he described what he considered to be one of his greatest contribution, namely, the fact that he was successful in reconciling the blacks and the whites in South Africa, ending Apartheid and transforming South Africa into a country that was bereft of bloodshed. The South Africa that he wrought was peaceful and democratic. He also told me that he was a true lover of peace and the welfare of mankind. Moreover, he had never compromised the welfare of his people for his personal freedom and he had never relinquished his political beliefs. With this adamant attitude, Mandela attracted the world’s attention and became the symbol of the sufferings and struggles of black South Africans. He was appointed by the United Nations as an ambassador to deal with the civil war in Burundi and to negotiate with the militia groups (Nelson Mandela, 2007). The personality and behavior of Nelson Mandela made him a very popular leader. He was instrumental in inspiring people to greater heights of endeavor. He gained the admiration of the world’s populace and became a global leader. He was a staunch follower of Gandhi the Indian Messiah of peace, and had followed the precepts of Gandhi in campaigning against apartheid. An extremely interesting fact that he disclosed to me was that he had changed his ideology, which had initially accepted that violence was inevitable to end apartheid to an ideology that used non – violent methods (Nelson Mandela, 2007). Accordingly, his campaigns and struggle did not involve widespread bloodshed. During his period of incarceration widespread crime against blacks and coloreds were committed by the apartheid regime. Despite these incidents, Mandela never harbored thoughts of revenge.   He exhorted his people to forgive the whites and to reconcile their differences with them (Nelson Mandela, 2007). It was getting late and I had to bid farewell, although, unwillingly, and as a parting gift; Nelson Mandela told me that after assuming Presidency, he had instituted the Truth and Reconciliation Commission, in order to promote peace and reconciliation between the enraged and vengeful blacks and their white oppressors. Moreover, he had introduced several welfare measures such as better housing, education and economic reforms to improve the standard of living of black South Africans (Nelson Mandela, 2007). References Nelson Mandela. (2007, July 30). Retrieved September 26, 2007, from moreorless : heroes & killers of the 20th century: http://www.moreorless.au.com/heroes/mandela.html Nelson Mandela. (2007, July 30). Retrieved September 26, 2007, from moreorless : heroes & killers of the 20th century: http://www.moreorless.au.com/heroes/mandela.html   

Early History of the Pipe Organ - 1606 Words

Early History of the Pipe Organ The king of instruments has a long history, one which can arguably be traced to the concept of a collection of fixed-pitched pipes blown by a single player (such as the panpipes) (Randel 583). The first examples of pipe organs with the basic features of today can be traced to the third century B.C.E. in the Greco-Roman arena; it is said to have been invented by Ktesibios of Alexander and contained a mechanism to supply air under pressure, a wind-chest to store and distribute it, keys and valves to admit wind to the pipes, and one or more graded sets of fixed-pitch pipes. (Randel 583) These early organs used water as a means to supply air-pressure, hence the use of the terms hydraulic and hydraulis.†¦show more content†¦By adding a stop to a manual, one could then play, in unison, two or more sets of ranks simultaneously. These stops included new types of pipes created by the Germans which provided varying sounds, including those that mimicked the viol family, reed stops (trumpet, posaune, shalm, vox-humana, etc.), closed pipes adding a much softer and deeper sound and smaller pipes which produced more penetrating sounds. There was also the mixture stop, which originated (we think) in the twelfth century when one or two pipes were added to a key, usually tuned to a fifth and octave or third and tenth; it is also speculated that this practice helped spark harmony in music composition. (Hopkins Rimbault 36-8) During this time the pedal began receiving its own set of stops separate from those of the other manuals. At this point in the organs history, development was fairly uniform throughout Europe due mainly to the unrestricted travel of organ builders and musicians whose input would influence foreign builders. The uniformity of the Catholic church also helped perpetuate the use of similar organs throughout Europe. This trend of consistent organ building began to decline during the Reformation and Counter-Reformation, both leading toward more political and national boundaries being enforced, which increased the difficulty of unrestricted travel. Now we begin to see trends and different regional styles of construction,Show MoreRelatedBach Fugue Analysis1417 Words   |  6 PagesFor that reason, Bach used a fugue in solo organ pieces and in instrumental works and choral cantatas. This Fugue is the most famous of fugues by any composer. The difficult part to explain is how Bach created the Toccata’s forceful organ effect. When Bach was in Arnstadt when he was younger, the organ ordinarily lacked a 16-foot register on the keyboard; consequently, it sounds an octave lower than the normal 8-foot register. 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